Franklin’s Autobiography is one of the most famous works in American literature. He started it as a private collection of anecdotes for his son, but soon it was transformed into a work of history, both personal and national, revealing Franklin as the man who, as Herman Melville said, possessed “deep worldly wisdom and polished Italian tact, gleaming under an air of Arcadian unaffectedness.

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Flamboyant and controversial, Oscar Wilde was a dazzling personality, a master of wit, and a dramatic genius whose sparkling comedies contain some of the most brilliant dialogue ever written for the English stage. Here in one volume are his immensely popular novel, The Picture of Dorian Gray; his last literary work, “The Ballad of Reading Gaol,” a product of his own prison experience; and four complete plays: Lady Windermere’s Fan, his first dramatic success, An Ideal Husband, which pokes fun at conventional morality, The Importance of Being Earnest, his finest comedy, and Salomé, a portrait of uncontrollable love originally written in French and faithfully translated by Richard Ellmann.

Every selection appears in its entirety–a marvelous collection of outstanding works by the incomparable Oscar Wilde, who’s been aptly called “a lord of language” by Max Beerbohm.

A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."

This is a collection of five Christmas-themed books by Charles Dickens. "A Christmas Carol" is the most well-known, and this collection also includes:

-The Chimes
-The Cricket on the Hearth
-The Battle of Life
-The Haunted Man

As a bonus, all of the original illustrations are included as well. This file has a working Table of Contents and is DRM-free!

In the history of English literature, Charles Dickens's A Christmas Carol, which has been continuously in print since it was first published in the winter of 1843, stands out as the quintessential Christmas story. What makes this charming edition of Dickens's immortal tale so special is the collection of 80 vivid illustrations by Everett Shinn (1876-1953). Shinn, a well-known artist in his time, was a popular illustrator of newspapers and magazines whose work displayed a remarkable affinity for the stories of Charles Dickens, evoking the bustling street life of the mid-1800s. Printed on heavy, cream-colored paper stock, the edges of the pages have been left rough, simulating the way in which the story might have appeared in Dickens's own time. Though countless editions of this classic have been published over the years, this one stands out as particularly beautiful, nostalgic, and evocative of the spirit of Christmas.

This is a collection of five Christmas-themed books by Charles Dickens. "A Christmas Carol" is the most well-known, and this collection also includes:

-The Chimes
-The Cricket on the Hearth
-The Battle of Life
-The Haunted Man

As a bonus, all of the original illustrations are included as well. This file has a working Table of Contents and is DRM-free!

Savage struggles and timeless bonds between man, dog, and wilderness are played to their heart-rending extremes. 2 cassettes.

"A book about motherhood that will make you nod with recognition, while simultaneously reminding you to schedule a hysterectomy." -Jenny Lawson, The Bloggess

"With the humor of Bombeck and the warmth of a best girlfriend, Robin O'Bryant gives every mom permission to not be perfect. The chapter on road-tripping with three tiny children and a flu-stricken husband was one of the funniest things I've ever read. Pour yourself some "mommy juice" and enjoy meeting Robin and her "chicks." -Celia Rivenbark, NYTs best-selling author of "You Don't Sweat Much for a Fat Girl."

If you don’t have anything nice to say about motherhood, then… read this book. Robin O’Bryant offers a no holds barred look at the day to day life of being a mother to three, running a household and the everyday monotony of parenting.

It’s not always pretty but it’s real. Whether she's stuffing cabbage in her bra… dealing with defiant yet determined daughters… yelling at the F.B.I... or explaining the birds and the bees to her preschooler… you’re sure to find dozens of humorous and relatable situations.

From the creator of Robin's Chicks, one of the South’s most popular blogs on motherhood, misunderstandings and musings, comes a collection of essays that will not only make you laugh and cry, but realize that you’re not alone in your journey.
Sit back and relax, pour yourself some “mommy juice,” throw a fresh diaper on your baby and deadbolt the bedroom door to keep your kids out… because once you start reading you'll be too busy wiping away tears of laughter to wipe anybody's butt.

The young Robert Louis Stevenson suffered from repeated nightmares of living a double life, in which by day he worked as a respectable doctor and by night he roamed the back alleys of old-town Edinburgh. In three days of furious writing, he produced a story about his dream existence. His wife found it too gruesome, so he promptly burned the manuscript. In another three days, he wrote it again. The Strange Case of Dr. Jekyll and Mr. Hyde was published as a "shilling shocker" in 1886, and became an instant classic. In the first six months, 40,000 copies were sold. Queen Victoria read it. Sermons and editorials were written about it. When Stevenson and his family visited America a year later, they were mobbed by reporters at the dock in New York City. Compulsively readable from its opening pages, Dr. Jekyll and Mr. Hyde is still one of the best tales ever written about the divided self.

This University of Nebraska Press edition is a small, exquisitely produced paperback. The book design, based on the original first edition of 1886, includes wide margins, decorative capitals on the title page and first page of each chapter, and a clean, readable font that is 19th-century in style. Joyce Carol Oates contributes a foreword in which she calls Dr. Jekyll and Mr. Hyde a "mythopoetic figure" like Frankenstein, Dracula, and Alice in Wonderland, and compares Stevenson's creation to doubled selves in the works of Plato, Poe, Wilde, and Dickens.

This edition also features 12 full-page wood engravings by renowned illustrator Barry Moser. Moser is a skillful reader and interpreter as well as artist, and his afterword to the book, in which he explains the process by which he chose a self-portrait motif for the suite of engravings, is fascinating. For the image of Edward Hyde, he writes, "I went so far as to have my dentist fit me out with a carefully sculpted prosthetic of evil-looking teeth. But in the final moments I had to abandon the idea as being inappropriate. It was more important to stay in keeping with the text and, like Stevenson, not show Hyde's face." (Also recommended: the edition of Frankenstein illustrated by Barry Moser) --Fiona Webster

What a scoundrel wants, a scoundrel gets. . .

A decade ago, the Marquess of Bourne was cast from society with nothing but his title. Now a partner in London's most exclusive gaming hell, the cold, ruthless Bourne will do whatever it takes to regain his inheritance—including marrying perfect, proper Lady Penelope Marbury.

A broken engagement and years of disappointing courtships have left Penelope with little interest in a quiet, comfortable marriage, and a longing for something more. How lucky that her new husband has access to an unexplored world of pleasures.

Bourne may be a prince of London's illicit underworld, but he vows to keep Penelope untouched by its wickedness—a challenge indeed as the lady discovers her own desires, and her willingness to wager anything for them . . . .even her heart.

Wilde was both a glittering wordsmith and a social outsider. His drama emerges out of these two perhaps contradictory identities, combining epigrammatic brilliance and shrewd social observation. Includes Lady Windermere's Fan, Salome, A Woman of No Importance, An Ideal Husband, A Florentine Tragedy and The Importance of Being Earnest, which appears in full with the "Grigsby" scene which originally made up the fourth act.

Wilde was both a glittering wordsmith and a social outsider. His drama emerges out of these two perhaps contradictory identities, combining epigrammatic brilliance and shrewd social observation. Includes Lady Windermere's Fan, Salome, A Woman of No Importance, An Ideal Husband, A Florentine Tragedy and The Importance of Being Earnest, which appears in full with the "Grigsby" scene which originally made up the fourth act.

"A spectre is haunting Europe," Karl Marx and Frederic Engels wrote in 1848, "the spectre of Communism." This new edition of The Communist Manifesto, commemorating the 150th anniversary of its publication, includes an introduction by renowned historian Eric Hobsbawm which reminds us of the document's continued relevance. Marx and Engels's critique of capitalism and its deleterious effect on all aspects of life, from the increasing rift between the classes to the destruction of the nuclear family, has proven remarkably prescient. Their spectre, manifested in the Manifesto's vivid prose, continues to haunt the capitalist world, lingering as a ghostly apparition even after the collapse of those governments which claimed to be enacting its principles.